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发表于 2020-3-10 01:08:00
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Part II | 建筑与记忆
Marc Christoph Wagner:How does architecture and memory relate to each other?
(您认为)建筑和记忆如何互相关联呢?
Adam Caruso:I think they are very connected, you know, I think architecture, I mean, I didn’t make this up, but it’s our collective memory. You know if you walk around Copenhagen, which the …, if we discount the last 20 years is an amazing, and an amazing piece of city. And what’s specially amazing is that in the post-war period,modernism is very strong here but those architects continued to believe in the structure of the city, so they made modern projects that continued to sustain and to develop the structure of the city, the block structure, the scale, the materials are used brick.
我想它们是紧密相连的,你知道的,我并没有过分修饰这句话,我认为建筑就是我们的集体记忆。你知道的,如果你行走在哥本哈根,如果我们可以倒退20年,那将太美妙了,那是一个令人惊叹的城市。尤其令人惊奇的是,在战后时期,现代主义在那里非常的强势,但是建筑师们仍然继续去相信城市的结构,因此它们在设计现代建筑时仍然保持并发展着(原有的)城市架构,街区的结构与尺度,建筑材料也是使用砖。
And I think that if you look at a city, like Copenhagen, also city that wasn’t bombed, that it is like a kind of artifact, that if as you scratch, you scratch, you scratch, it tells you all of these things about… obviously it tells you things about history and its public buildings.
我认为如果你去看一个城市,如哥本哈根,或者其他没有被炸毁的城市,它就如同一个手工制品一样,如果你去一层一层的把它剥开,它会告诉你有关……,很明显它会告诉你有关它历史以及公共建筑的一切。
But I also think it tells you things about the much more everyday occupation of the city, about when certain areas were popular and what that meant, how those areas were adopted, because they were very Bohemian, or they were very working-class, or they were all bourgeois. And all of those things I think if you really look, there the evidence of that occupation is like a layer on the structure of the city, on its buildings.
但我还认为,这可以告诉你更多有关该城市每天如何被(民众)占据的信息,例如某些地区何时变得人流攒动以及这意味着什么,以及这些地区是如何被(民众)认同的,比如因为他们都是波希米亚人,或者都是工人阶级,或者都是资产阶级。我认为如果你去观察所有的这些事情,这些被占据的证据就如同城市结构以及城市中建筑的一个层面。
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